Friday 31/10, Saturday 1/11 and Sunday 2/11 at 8-9pm on GNetradio.com, and then later in the week on Mixcloud.com.

This collection dives through shadows and synths — a journey from the ominous to the otherworldly, where art-rock mysticism meets electronic pulse and gothic soul. Each track is a portal into its own atmosphere — from candlelit confessions to flickering cityscapes.

1. The Editors – “In This Light and On This Evening”

Album: In This Light and On This Evening (2009)

The Editors’ third album saw them shift from guitar-driven indie rock to something colder and more synthetic. The title track opens with cinematic gloom — all cathedral keys, urban paranoia, and Tom Smith’s baritone echoing through London’s dark arteries. It’s both apocalyptic and oddly romantic.

2. Van Der Graaf Generator – “Killer”

Album: H to He, Who Am the Only One (1970)

A masterpiece of prog menace, “Killer” tells the tale of a predatory fish doomed by loneliness. Peter Hammill’s performance is volcanic, while Hugh Banton’s organ roars beneath. It’s theatrical, philosophical, and strange — the sound of danger in deep water.

3. Leonard Cohen – “You Want It Darker”

Album: You Want It Darker (2016)

In his final act, Cohen whispered from the edge of eternity. The title track is a requiem — gospel choir meets whispered resignation. “I’m ready, my Lord,” he sings, his voice grainy with grace and gravity. A stunning farewell from a master poet.

4. Bomb the Bass feat. Mark Lanegan – “Black River”

Album: Future Chaos (2008)

A haunting collaboration that marries trip-hop textures with Lanegan’s whiskey-soaked growl. “Black River” drips with dystopian cool — dusty beats, murmured synths, and a cinematic sense of isolation. It feels like a film noir in slow motion.

5. Siouxsie and the Banshees – “Desert Kisses”

Album: Kaleidoscope (1980)

Kaleidoscope was the sound of reinvention — brighter, yet still spellbound. “Desert Kisses” floats on hypnotic guitar loops and shimmering desert mirages, with Siouxsie’s voice conjuring mirth and menace in equal measure. Gothic pop with mirage-like beauty.

6. Air – “Ghost Song”

Album: The Virgin Suicides OST (2000)

From Sofia Coppola’s haunting debut film, Air’s “Ghost Song” is a vaporous waltz of melancholy. Their vintage synths hum like fading memories, evoking suburban sadness and nostalgic dreamscapes. Elegantly tragic, and achingly cinematic.

7. Serpent Power – “Lucifer’s Dreambox”

Album: Serpent Power (2005)

A psychedelic swirl of fuzz and folklore, “Lucifer’s Dreambox” feels like a séance in sound. Echoing vocals, kaleidoscopic guitars, and occult undertones make it a darkly groovy highlight of their self-titled debut. Strange and hypnotic.

8. Alex – “Patella Black”

Album: Alex (1973)

A forgotten gem of early ’70s experimentation, “Patella Black” blends progressive structures with jazz-tinged ambience. Its murky production and elastic basslines give it a mysterious, nocturnal tone — like Soft Machine wandering into a smoky after-hours club.

9. UNKLE – “An Eye for an Eye”

Album: Never, Never, Land (2003)

UNKLE’s cinematic trip-hop universe expands on this standout cut — heavy with paranoia and pulse. The beats are claustrophobic, the strings sweeping, the mood apocalyptic. It’s industrial beauty in widescreen — both brutal and transcendent.

10. John Maus – “Cop Killer”

Album: We Must Become the Pitiless Censors of Ourselves (2011)

Maus delivers lo-fi synth existentialism with tongue-in-cheek provocation. “Cop Killer” rides a chugging electronic groove, cloaked in irony and chaos. Somewhere between philosophy lecture and dancefloor meltdown, it’s utterly singular.

11. Kavinsky – “Nightcall”

Album: OutRun (2013)

The neon pulse of retro-futurism. “Nightcall” blends icy synthwave with a darkly romantic heart. Known from Drive, it’s a haunting anthem of isolation and cool detachment — chrome tears under fluorescent lights.

12. Blue Öyster Cult – “Unknown Tongue”

Album: Cultösaurus Erectus (1980)

A sinister slice of occult hard rock, “Unknown Tongue” drips with mystique. Buck Dharma’s sharp guitars duel with Eric Bloom’s cryptic lyrics — equal parts horror and satire. It’s the darkly literate edge that made BÖC so unique.

13. Florence and the Machine – “Howl”

Album: Lungs (2009)

A feral, romantic outburst at the album’s core. “Howl” merges gothic imagery with primal emotion — all pounding drums, cascading vocals, and lunar longing. Florence channels the wild heart beneath all this shadow and sound.